Actress Ann Harada (in pink) returns to the stage in the Broadway premiere of <em>Rodgers & Hammerstein's Cinderella, </em>an update of the made-for-TV movie from 1957. Her other theater work has included <em>Avenue Q</em> and <em>Les Miserables.</em>
Credit Carol Rosegg /
On NBC's <em>Smash,</em> returning for a second season, Harada plays the much-put-upon stage manager Linda, charged with keeping the chaos at the show-within-a-show more or less under control.
Originally published on Tue February 5, 2013 4:45 pm
Ann Harada is that rare Asian-American musical theater actress who's never starred in The King and I or Miss Saigon. After a few summer stock stints as Bloody Mary in South Pacific, Harada realized if she was going to make it in theater, it would be as a character actor. In 2003, she originated the role of Christmas Eve in the irreverent puppet musical Avenue Q, a part she played on and off for six years.
Rape has long been a weapon of war, but documenting sexual violence usually happens after a conflict is over. Researchers are taking a new path with the Syrian conflict: tracking the incidents of rape as they occur.
While the economy will benefit from continued improvement in "underlying" conditions, the federal government's push to tighten its spending will slow overall growth in 2013, the Congressional Budget Office projects.
In an updated "Budget and Economic Outlook" reported released Tuesday afternoon, the agency forecasts:
-- 1.4 percent growth in gross domestic product this year, vs. 2.3 percent in 2012.
This is TALK OF THE NATION. I'm Neal Conan in Washington. Noncitizen meets U.S. citizen, they fall in love, get married. The immigration papers are filed, and a green card arrives in the mailbox. Right? Well, not exactly. Many citizens seeking legal residency for their spouses meet surprises, penalties that can bar their spouses from the U.S. for 10 years, 20 years or for life.
Originally published on Tue February 5, 2013 2:15 pm
In the debate on gun control, self-protection and the protection of others are commonly cited justifications for gun ownership. NPR's Neal Conan talks with guests about what happens when a person draws a gun on another individual.
For her latest album, Broadway soprano Rebecca Luker brings her live show — featuring songs by legendary theater composer Jerome Kern, recorded at the Manhattan club 54 Below — to the recording studio. The album, I Got Love: Songs of Jerome Kern, features 14 tracks and classics ranging from "Bill/Can't Help Loving That Man" to "My Husband's First Wife."
This is TALK OF THE NATION. I'm Neal Conan in Washington. For most of this hour, we'll focus on the experiences of mixed-status families and the complications of navigating the gray areas in the shadows of immigration, when one or some are citizens and others are here illegally.
Originally published on Fri February 15, 2013 12:11 pm
The Pez dispenser is a cultural icon that has withstood the test of time, with Mickey Mouse, Yoda, even George Washington doling out little candy bricks through their plastic necks.
So applying the hot new technology of 3-D printing to make personalized Pez dispensers makes sense, in a weird way. It's just one of a growing number of efforts under way to print customized food products.
Jackie, Lynn and Sue — pictured here at age 7 — are three of the children featured in the landmark 1964 documentary <em>7 Up</em>. The series returns this year with <em>56 Up,</em> checking in with a group of 14 men and women whose lives have been documented since they were kids.
Credit First Run Features
Michael Apted, the director of the <em>Up</em> series, also directed the James Bond film <em>The World Is Not Enough</em>.
Credit Murray Close / Bristol Bay Productions, LLC
Every seven years since 1964, in what's known as the Up series, Granada Television has caught us up on the lives of 14 everyday people. The subjects of the documentary series were 7 years old when it began; in the latest installment, 56 Up, they are well into middle age.
The original idea behind the series was to examine the realities of the British class system at a time when the culture was experiencing extraordinary upheaval.
It was a Super Bowl moment like no other. Thousands of fans packing a modern gladiatorial arena, millions more watching on TV screens across the nation and Beyoncé had just reminded us of why she is, well, Beyoncé. The second half play was just getting going.