While the White Mountains have always been associated with outdoorsy activities, for much of the 19th century, they played a particularly important role in the arts. The new country was looking for an artistic identity that was distinctly "American," and the untamed wilderness of northern New Hampshire inspired scores of painters.
With over twenty years of experience on the editorial side of design publishing, Charlotte and Peter Fiell are pioneers in bringing great design to the masses with big, beautiful glossy books. Their first book together, “Modern Design Classics Since 1945”, was published twenty-two years ago and introduced mid-century modern furniture to a new generation of design lovers and novices.
They are also the former editors-in-chief for the best-selling design imprint Taschen. Three years ago the design power couple established their own line of art and design books—Goodman Fiell—which publishes titles written by the couple in addition to books written by experts across a wide range of disciplines; from art and architecture to natural history and popular culture.
Education policy in the U.S. is currently laser-focused on engaging students in the fields of science, technology, engineering and math—or “STEM” subjects. The goal is to prepare future generations to prosper in the new global economy. But where do the creative arts fit into this equation? How can art and music education help drive innovation? Eric Booth is a pioneer in art education, and is the author of several books, including, “The Music Teaching Artist’s Bible.” He is also an artist, an actor, and musician and is widely referred to as the father of the teaching artist profession.
3S Artspace is a Portsmouth nonprofit working on renovating a large building into studio space for artists, a farm-to-table restaurant, performance space and a gallery. For Catherine Scala, finding studio space here gave her the boost to continue her career as an artist.
You’ve heard of whiffle-ball… how about whiffle-hurling? Class-conscious kickball? Imaginary soccer? These absurd-sounding games are among the growing number of highly conceptualized art-sports invented by artists and shown on YouTube, and other online video sites. Brooklyn-based artist Tom Russotti is founder of the Institute for Aesthletics… yes, that’s athletics and aesthetics rolled into one. The institute combines sports, participatory art and conceptual social activities. Tom’s games have been invented, played, performed, and experimented with at museums, schools, and arts organizations all over the world.
For filmmakers there’s the Oscars, for children’s authors there’s the Newbury Award, and in the world of comics and comic art, there’s the Eisner Awards, named after legendary artist and author Will Eisner.
This year one of the Eisner nominees for Best Publication for Early Readers up to age 7 is Sara Richard, who lives and works here in New Hampshire. She’s nominated for her book “Kitty and Dino.”
Hand-painted signs once dotted the landscape. They brought color, style, and distinction to stores and products, and were the nation’s first form of advertising…and today, with computer graphics and large-scale printing available for cheap, they are pretty much going the way of the horse and buggy… But a number of hand-painting holdouts are sticking with brushes – and are the subject of Sign Painters, a new documentary film about the craft directed by Sam Macon and Faythe Levine.
Throughout history, pieces of art – and their creators, have been hauled into the courtroom. They stood accused of obscenity, extramarital dalliances, societal intermingling, and blasphemy – among other equally verbose charges. Government agencies championed their prosecution as a righteous public service – but maybe they just needed to gain a little sense of humor. Regardless, these pieces of art fought the law. Here to discuss whether the law won is Clay Wirestone, arts editor for the Concord Monitor and author of an article in an upcoming issue of Mental Floss called, “Arts on trial.”
Ai Weiwei is China’s best known artist and the sharpest thorn in the side of its government. He’s a humorous and clever digital dissident, whose installations, viral videos, and tweets mock Chinese censors, and have made him an international symbol for freedom.
After years of attempting to cozy up to him with bribes and favors, the Chinese government turned on Ai Weiwei, charging him with tax evasion and bulldozing his freshly built studio in Shanghai. Then, on April 3, 2011, he disappeared.
This year, the Dartmouth College campus has become temporary home for a mixed-media menagerie called Ice Chimes. And the 20-foot tall pagoda-like structure outside the Life Sciences building gets a lot of curious stares from students.
Ice Chimes is supposed to be interactive. But it isn’t exactly intuitive.