This year, the Dartmouth College campus has become temporary home for a mixed-media menagerie called Ice Chimes. And the 20-foot tall pagoda-like structure outside the Life Sciences building gets a lot of curious stares from students.
Ice Chimes is supposed to be interactive. But it isn’t exactly intuitive.
Word of Mouth's weekly program. This week's show features an art blog that uses Google Earth images to show the battlefields of drones, a radio show produced in an an insane asylum, Ty Burr's "Gods Like Us," and history's badass-iest nuns. Plus, webcast funerals!
Photographer Keliy Anderson-Staley works with tintype photography, a medium that came out ten years after the daguerreotype. Just like the photographers of the 1850’s, she uses similar chemical recipes, period brass lenses, and wooden view cameras.
From apps for avoiding heavy traffic to the latest polling data in the presidential race -- infographics are visual shorthand for data in the post-newspaper slash social media slash sound byte age. Several sources credit the digital age for giving birth to infographics and others cite the publication of USA Today’s “Snapshots” beginning in 1982. Susan Schulten begs to differ.
Naturalist-artist David M. Carroll is the author of three acclaimed natural histories. Swampwalker's Journal, for which he received the John Burroughs medal for distinguished nature writing, The Year of the Turtle, and Trout Reflections. David graduated from the School of the Boston Museum of Fine Arts and Tufts University, and received an Honorary Doctorate of Humane Letters from the University of New Hampshire and an Honorary Masters in Environmental Science from New England College. In 2006 he was named a MacArthur Foundation Fellow.
Olivia Merilahti and Dan Levy met in 2005 working on a soundtrack for the French film, Empire of the Wolves – the songs they wrote afterwards would eventually be released under the name “The Dø.” The online release of their first four songs had built “The Dø” an instant fan base – and with almost no experience playing live shows as a band, Dan and Olivia suddenly found themselves in front of packed audiences at a series of sold-out Parisian concerts. Two full-length albums and hundreds of performances later, Word of Mouth producer Taylor Quimby
Wolf Kahn was born in Stuttgart, Germany in 1927 and came to the United States when he was 12-years-old. He later served in the Navy during WWII, and in 1946, under the GI Bill, Kahn attended the Hans Hofmann School, studying under and becoming a studio assistant for Hans Hofmann. Later, Kahn graduated from the University of Chicago. His work in oil paint and pastel mediums share his signature vibrant style. He spends his time in both New York City and West Brattleboro, Vermont. Kahn's wife Emily Mason is also an artist.
Eric Aho grew up in Hudson, New Hampshire and now lives just across the border in Saxtons River, Vermont. In the tradition of English painters like John Constable and the French Impressionists, Aho began sketching and painting out of doors using New England’s mountain vistas and rural valleys as his subjects. His early paintings capture dramatic effects of weather and sunlight in a muted pallet, while his more recent paintings are monumental in scale and employ bold colors.
Here’s the set-up…a doomed group of teens isolated on location X -- a campsite, fairground..dorm. A psychopathic killer, often disfigured, stalks them…brandishing sharp weapon X…many are killed in graphic, gory ways until only final girl X survives…cheered on by the adrenaline-surged audience...
Now that The Hunger Games has killed off the competition for spring box office, Hollywood is gearing up for summer. We’ll get the Batman finale, a Spiderman re-boot, new animated heroes from Pixar and Disney, and comedies from Will Ferrell, and Adam Sandler. Garen Daly is film consultant for Zeotrope Media is here to preview of some films that won’t break box office records.
The newest acquisition at the Hood Museum of Art at Dartmouth is from the unconventional French artist Marcel Duchamp. It’s a Box in a Valise, part of a series of works where Duchamp reproduced past creations in miniature form and packed them into a box as a sort of portable museum.