It seems like every summer, another classic superhero gets ripped from the pages of Marvel or D.C. comics and is adapted, or rebooted, for the big screen. You don’t have to be a comic book super fan to recognize icons like Superman, Batman, or Wonder Woman, but what about the telepathic Nelvana of the Northern Lights?
What, you never heard of her?
Two Canadian comic book fans, Hope Nicholson and Rachel Richy, are hoping to change that with a Kickstarter campaign to fund the first ever reprint of Nelvana comics for a new generation of fans to enjoy.
Since its premiere in 1899, Anton Chekov’s play Uncle Vanya has been adapted for stages all over the world. Originally about a family property in eastern Russia, it’s been re-set in the English lake district in the 1930s, at an abandoned theater on Manhattan’s 42nd Street, and a post-apocalyptic interpretation set in Hawaii after a zombie attack.
Now, Kent Stephens, founding artistic director of Stage Force Productions, is bringing Uncle Vanya to the Maine coast. Stephen’s relocates the bored, begrudging family members to the banks of the Androscoggin – bringing 21st Century concerns of environment and land policy issues to the fore. Uncle Vanya in Maine opens this Friday, November 1st, and runs until the 10th, at the Star Theater in Kittery, Maine.
One of comedian Will Ferrell’s most memorable Saturday Night Live characters was musician Gene Frenkle, the belly shirted cowbell player from the ‘70s rock band, Blue Ӧyster Cult. His cowbell playing was intoxicating and hilarious and prompted this now quotable line: "I got a fever, and the only prescription is more cowbell."
That line, delivered by Christopher Walken, catapulted onto t- shirts and bumper stickers, and helped put the instrument designed for agriculture into the mainstream musical spotlight. But where did cowbell come from? And how did it migrate from the farm to the recording studio? Chicago based journalist Lori Rotenberk wrote an article for Modern Farmer called “More Cowbell: From Herdsman’s Tool to Cultural Icon.”
Each month the husband and wife duo, Robin MacArthur and Tyler Gibbons, from Marlboro, Vermont write and record a song to be released on the day of the full moon. The beautifully layered, tunes have a backwoods feel are recorded in a barn, and sent out to subscribers. It’s an intimate and unique take on the ever growing DIY music scene. They joined us in studio back in July to talk about their album and to play live in Studio D.
Edgar Oliver has a voice you’ll never forget: part Bela Lugosi, part Count Chocula. You may have heard him tell stories of growing up in Savannah in the 1960s, with a smothering, compulsive mother who shared her paranoid, terrified state with her children, Helen and Edgar. His tales of growing up are pulled together in “Helen and Edgar”, a kind of a spoken memoir being performed at Dartmouth’s Warner Bentley Theater at 7:00pm tonight and Wednesday.
Eighteen-year-old Dawn has never met her father; raised by her mother in a rural New Hampshire town, they are barely getting by. Dawn works at a bait and tackle shop by day and turns tricks at night to fund an escape from her dead-end life. A cascade of bad events set Dawn on the road to find the father her mother doesn’t want her to find. He’s not so keen on the idea either. Our guest, Aaron Wiederspahn wrote, directed and starred in the film, “Only Daughter.”
For anyone who’s ever driven by a crumbling old New Hampshire barn and wondered what could be in there, here’s one answer…a stack of dusty old film reels that turned out to be the only surviving reel from a long lost 1911 film. The movie, called Their First Misunderstanding , was written by and stars Mary Pickford, one of the most beloved actresses of the silent film era. We spoke with Professor Emeritus of Film Studies at Keene State College Dr. Larry Benaquist about the discovery of this rare, important and now celebrated film.
We turn now to that exemplary literary magazine, Playboy. Hugh Hefner’s magazine has always been about the centerfold and male fantasy and an air-brushed version of female sexuality…but it's also a great read. Really.
In 2005, writer Amy Grace Loyd was hired to revive Playboy’s traditions of stories from the likes of Hunter S. Thompson and short fiction from Margaret Atwood, or that scandalous interview with Presidential candidate Jimmy Carter. Amy was Playboy’s Fiction and Literary Editor for seven years, and she recently wrote in Salon about some of the ribbing she took for a job she loved. She also recently published her first novel, called “The Affairs of Others."
Just reappointed for a sixth term, Van McLeod’s agency oversees Libraries, Historical resources, and the state Council on the Arts. With the tighter budgets of recent years, his department has had to adjust, but he says it continues to be a key factor in the state’s prosperity and quality of life.
Van McLeod - Commissioner for New Hampshire's Department of Cultural Resources.
The Biblical story of Abraham and Isaac is horrifying, unforgettable and open to interpretation. Faithful Jews, Christians and Muslims regard God’s demand that Abraham sacrifice his beloved son as a lesson about the demands of faith, the rewards for obedience, or for some, evidence of God’s cruelty.
Others see the essence of the story not in the command not to sacrifice, but the command to stop. The parable is alluded to throughout “The Exchange” by Sophie Cabot Black, one of the poems about the exchange of love and money and sex and time which anchors her third collection of poems. Black is among the many writers who will be sharing her work with audiences at the Brattleboro Literary Festival this weekend.
People living with dementia can appear to live in their own world, a complicated, non-linear inner world not so easily communicated to, or understood by others. The London-based writer Susanna Howard is attempting to give people with dementia a voice by visiting with them and recording their words as poetry.
Susanna is artistic director of Living Words, an arts and literature program helping people with dementia feel understood and heard even when communication seems lost.
For the past fifty-three years, rest areas have offered weary travelers a place to pull off and pause and maybe even learn a little local history. Traditional rest areas are disappearing across the country… Louisiana for example, has already closed twenty-four of its thirty-four stops. Ryann Ford is a photographer whose work has been featured in the New York Times and Texas Monthly. She’s been trying to capture these doomed rest areas with her camera… before they disappear. Her project is called “Rest Stops: Vanishing Relics of the American Roadside.”