Composer/lyricist Robert Sherman (left) and his brother Richard stand next to the car used in the 1968 film <em>Chitty Chitty Bang Bang</em>. The brothers wrote the songs for the movie, as well as a musical version that began running in 2002.
Robert Sherman — one half of the songwriting team behind Disney movies and major hit musicals — has died. He was 86. The Oscar-winning Sherman Brothers, Robert and Richard, wrote some of the most enduring Disney songs of all time. Their output was astounding: Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang, Bedknobs and Broomsticks, The Aristocats.
John Lasseter, of Pixar and Disney, once said, "You cannot forget a Sherman brothers song for your life."
Ever since The Rising in 2002 — and arguably since 1984's Born in the U.S.A. — Bruce Springsteen releases have functioned as State of the Union addresses as much as pop LPs. Wrecking Ball does, too, beginning with its Occupy-era lead single "We Take Care of Our Own," an anthemic bit of wishful thinking which, like "Born in the U.S.A.," seems easy to misinterpret by 180 degrees if you don't pay attention to the verses between the chorus.
Suzanne Ciani's start in music was traditional enough. She was classically trained, majored in music at Wellesley College, and got a fellowship to study composition at UC Berkeley. But when she arrived there in the mid-1960s, just in time to witness the student protests that consumed the Bay Area during that decade, her focus shifted.
The sound of one of this year's Grammy-nominated reggae albums, Harlem-Kingston Express Live, may seem perplexing at first. But don't let the blend of swing and dub confuse you: That's just the unique sound of pianist Monty Alexander.
Alexander's music has variously been described as bebop, calypso and reggae. But after 50 years in music and more than 70 albums, he's earned the right to call his music simply his own.
Alexander grew up in Jamaica playing the piano and the accordion, and he was versed in the up-and-coming popular music of the island.
Kid Rock performs during a campaign rally for Republican presidential candidate Mitt Romney in Michigan Monday night. Romney asked for, and was given, permission to use the Detroit rocker's song "Born Free" in his campaign.
It's true that you can still get by in rock 'n' roll on the strength of a unique voice. But it helps if said voice has something interesting to work with.
On the first three records by Heartless Bastards, that wasn't always the case. The Mountain, from 2008, had some terrific songs about a breakup, and a few that got bogged down in a rut. But on the band's latest release, Arrow, every song has a powerful, almost magnetic melody.
Fiddler Jordan Tirell-Wysocki and guitarist Matt Jensen join Kate in-studio on the Folk Show.
Tirell-Wysocki, a Canterbury fiddler who studied under Dudley Laufman and Carolyn Parrot will be appearing at the NHAMA (New Hampshire Acoustic Music Association) Spring Fling this Sunday, March 4 at the TupeloMusic Hall in Londonderry.
This week, weekends on All Things Considered begins a new series called "Why Music Matters": stories from fans, in their own words, about how music has changed their lives. In this first installment, Seattle resident Nathan Hotchkiss reflects on a sheltered childhood.
"My parents were very religious," he says. "I was limited to listening only to Christian music and classical. My father would stay away a lot, and my mother would be wrapped up in her own turmoil, and it would spill over onto me."
Just about three years after he violently assaulted her, R&B singer Chris Brown is back with pop star Rihanna — musically, at least. On Monday night, each released a new version of a previously released song. Both remixes feature the other party, and both are causing quite the stir.