Not sure how you're going to muster the energy to rake another pile of leaves this weekend? Let us make the chore a little easier by distracting you with a solid hour of public radio encouragement. The Word of Mouth Saturday show is carefully designed to take you on a sound odyssey that's perfect even if you decide to forgo the leaf raking for another day.
On this week's show:
Please don't send shoes: Jessica Alexander makes the case for sending money instead of food or clothing when disaster strikes.
Talking about death: It's not an easy subject, but a new Showtime series, "Time of Death" approaches the taboo with unflinching realism. Jaweed Kaleem from the Huffington Post, and Miggi Hood, co-executive producer of the series join us to talk about death.
The Warren Commission 50 years later. Justice Richard Mosk was a 23-year-old attorney when he became the youngest member of the commission established by President Johnson to investigate the murder of JFK and his assassin. He tells us about the commission and why conspiracy theories can be harmful.
Two decades have passed since Swedish quartet Ace of Base picked up Abba's mantle. Their single, 'The Sign,' topped U.S. charts and cemented a permanent place on pop playlists for decades to come.
Ace of Base also ushered in the so-called 'Swedish Miracle,' an era between 1990 and 2003 when music royalties earned by Sweden from foreign markets were twice as much per capita as royalties paid to songwriters and performers in the U.S. Today, Sweden is the world’s number three music exporter.
Listening to Word of Mouth's Saturday broadcast is like sitting around a campfire and chatting with a bunch of super-smart, super-interesting people. So go sharpen a stick, grab your bag of marshmallows and pull up a log - here's what's coming up this hour:
The Science of Superstition: Psychologist Stuart Vyseexplains the collective power of the Red Sox beards.
MORE COWBELL!!! From Strauss to Def Leppard, writer Lori Rotenberk traces the musical history of the cowbell.
A Grimm Cinderella Story: Author Adam Gidwitz shares the original gruesome version of the classic fairy tale, and explains why Disney has done the Brothers Grimm a disservice.
#NoFilter: Brian Ries, social media guru for The Daily Beast, on how a growing number of private dealers are legally selling guns on Instagram.
WHEN JELLYFISH ATTACK! They're clogging nuclear reactors, capsizing ships, wiping out fish populations, and causing cerebral hemorrhages... So basically, jellyfish are scarier than sharks. There, I said it. Quartz reporter Gwynn Guilford explains.
One of comedian Will Ferrell’s most memorable Saturday Night Live characters was musician Gene Frenkle, the belly shirted cowbell player from the ‘70s rock band, Blue Ӧyster Cult. His cowbell playing was intoxicating and hilarious and prompted this now quotable line: "I got a fever, and the only prescription is more cowbell."
That line, delivered by Christopher Walken, catapulted onto t- shirts and bumper stickers, and helped put the instrument designed for agriculture into the mainstream musical spotlight. But where did cowbell come from? And how did it migrate from the farm to the recording studio? Chicago based journalist Lori Rotenberk wrote an article for Modern Farmer called “More Cowbell: From Herdsman’s Tool to Cultural Icon.”
Each month the husband and wife duo, Robin MacArthur and Tyler Gibbons, from Marlboro, Vermont write and record a song to be released on the day of the full moon. The beautifully layered, tunes have a backwoods feel are recorded in a barn, and sent out to subscribers. It’s an intimate and unique take on the ever growing DIY music scene. They joined us in studio back in July to talk about their album and to play live in Studio D.
Before the legislature agreed on a deal yesterday, we asked for your contribution to our Un-official Partial Shutdown Playlist – music reflecting your feelings about how our government has been functioning, or not functioning these past two weeks. A number of you contributed to the list by posting your picks on Facebook, Twitter, and by calling our listener hotline.
Many in the nation breathed a sigh of relief on the news that the standoff was over on Capitol Hill, the deal makes our collective shutdown playlist a little un-necessary, but we’re pretty happy it didn’t need such a long run.
Perhaps our collective effort had something to do with the shutdown ending...for now.
For anyone who’s ever driven by a crumbling old New Hampshire barn and wondered what could be in there, here’s one answer…a stack of dusty old film reels that turned out to be the only surviving reel from a long lost 1911 film. The movie, called Their First Misunderstanding , was written by and stars Mary Pickford, one of the most beloved actresses of the silent film era. We spoke with Professor Emeritus of Film Studies at Keene State College Dr. Larry Benaquist about the discovery of this rare, important and now celebrated film.
On this edition of All Songs Considered, hosts Bob Boilen and Robin Hilton share a brand new song from Beck. The new cut, called "Gimme," is the third single he's released since June and by far the strangest (i.e., best) of the bunch. None of the songs will be on the new full-length record Beck hopes to release before the end of the year.
Vaud and the Villains is the 19-piece group known for putting on rollicking musical theater and cabaret shows with a "New Orleans in the 1930s" twist. The band is performing this weekend at The Music Hall in Portsmouth.
Joining us is bandleader Andy Comeau, also known as "Vaud Overstreet," as well as his wife, Dawn Lewis, A.K.A "Peaches Mahoney."
Gary Burton was thirteen when he first heard jazz. By then, he’d been playing the marimba for seven years, and had toured around his home state of Indiana with his siblings. “The Burton Family” band came apart shortly after Gary heard Benny Goodman’s band playing a song called "After You’ve Gone."
That song helped launch a career that has spanned the globe, the decades, collaborations with musicians from Chick Corea to Stan Getz to Astor Piazolla, and originated what’s called the "Burton Grip," playing the vibraphone holding two mallets in each hand.
Now 70, Gary Burton is a seven-time Grammy award winner. He’s the former Executive Vice-President at Berklee College of Music and has spent the majority of his life playing and teaching jazz. Burton has a new album, called "Guided Tour," and a new autobiography called, Learning to Listen: The Jazz Journey of Gary Burton.
Minimalist composer Philip Glass is widely acknowledged as one of the late 20th Century’s most influential music-makers. He’s worked with artists, musicians and filmmakers from David Bowie to Woody Allen, and famously collaborated with theater director Robert Wilson on the landmark opera “Einstein on the Beach” in 1976. Even after “Einstein,” Glass didn’t quit his day job as a New York cabby and some-time plumber…he was once called to install a dishwasher at the SoHo loft of a very shocked Robert Hughes, who was then the art critic for Time.
Abigail Washburn and Bela Fleck are a banjo playing husband and wife duo. Bela, a fifteen time Grammy winning virtuoso on the instrument plays "Scruggs Style". Abigail plays "Clawhammer" and sings…together they whip their respective styles into intricate music that sounds big and new. We asked Abigail Washburn about her peculiar journey into music and life on the road with her family. The duo will be at The Music Hall in Portsmouth tomorrow night.
Not so long ago, “Americana” was the term for rusty milk jugs, embroidered pillows and souvenir spoon collections found at antique stores. In the mid-1990s, it became the nickname for the rootsy, twangy, weather-beaten music of bands like Uncle Tupelo, Alison Krauss, and a man who embodies rebellion against the country music establishment…Johnny Cash. Americana stalwarts like Wilco, Ryan Adams, Gillian Welch and the big-selling collaboration of Alison Krauss and Robert Plant revived the music of an America that was appealing to boomers and those to the left of the “real” America celebrated by conservatives.
Contemporary music, local and international acts, ten concerts, seven venues and three days of music…that’s the promise of the Parma Music Festival that begins Aug. 14 and runs through the 17 in Portsmouth. Music fans can hear world musicians, hometown artists, classical, contemporary and chamber music alike; music for film, electronica, SCI panel discussions, a kid’s concert… and many of these events are free! Dipping into this all you can eat buffet of music is Bob Lord. We guarantee that listeners will have heard his theme for NHPR’s “The Exchange” and his clever covers of thematic songs as leader of Dreadnaught, the house band for our Writers on a New England Stage series. He now wears his other hat as CEO of Parma, and the keynote speaker for the festival.