Can't help singing along to your favorite sad songs in the shower, the car, or from the middle of a crowded street? Looking for something to help you dwell on your latest breakup, or summon your personal demons? Want to put something on the stereo that will dull your roomate's perversely happy attitude? Word of Mouth has the playlist for you.
Wherever you live, whatever you’re into, human beings respond to music. Brain researchers have found that listening to music not only makes you feel good – it alters your brain physiologically. To find out more we, talked to Dr. Robert Zatorre, Neuroscientist at the Montreal Neurological Institute at McGill University.
This is “Rethink 2014”, presenting ways of challenging our habits and assumptions and the status quo. Today: paying for creative content. It’s the axiom of the era: you can find anything on the internet--for free! The challenge has been figuring out how artists, writers, musicians and content makers get paid for their work. Take the music streaming service Spotify. Sure, users can discover new artists and find a lot of great music, but Spotify is under fire for failing to compensate the artists who make that music. In an opinion piece for the The Guardian last October, David Byrne wrote, “If artists have to rely almost exclusively on the income from these services, they'll be out of work within a year.” Maybe the big-name musicians have it wrong. We bring you the story of an unknown songwriter who is raking in the Spotify royalty checks, one song at a time. PJ Vogt of On The Media’s new TLDR podcast and blog, has the story.
The Presidents of The United States of America - the same band responsible for the enigmatic 1995 hit single “Lump” - is releasing their 6th studio album in February, their first since 2008. Since then, PUSA’s frontman Chris Ballew has been keeping himself busy making music geared towards an entirely different generation of listeners: the three and four year old set! Under the alias “Caspar Babypants”, Chris has released 7 albums of children’s music, including a collection of Beatles tunes. In this interview Chris explains why he started making music for families, how “being a parent is a little like being in a penitentiary in 1887”, and gave us a preview of songs off PUSA’s new record!
In 2009 the New Hampshire based “junk rock” band Recycled Percussion successfully made it to the final round of NBC’s show “America’s Got Talent”. For their final performance the four piece band pounded away on assorted junk as water rained down on them and strobe lights flashed in rhythm. After coming in third place in the competition out of 100,ooo acts, Recycled Percussion landed a headlining show in Las Vegas where they’re still going strong. This Thursday the band will finish up a string of homecoming shows at The Music Hall in Portsmouth. Our guest is founding member of Recycled Percussion and Legacy X Justin Spencer.
Maybe it’s the repetition, or maybe the obligatory cheeriness, but there’s something about hearing holiday songs that you don’t like that rankles much more deeply than other assaults on the senses. We asked listeners to share their favorite seasonal tunes on our Facebook page, along with the ones they hate.
The song, “All I Want for Christmas is You” by Mariah Carey was released in 1994, and has become a Christmas standard, consistently topping the billboard holiday charts. Despite the sleigh load of holiday albums released every winter, there hasn’t been an original holiday single with the staying power of Mariah Carey’s hit for nineteen years.
The Preservation Hall Jazz Band, one of New Orlean’s most legendary bands, will be rousing the crowds at The Music Hall in Portsmouth this Saturday with its “Creole Christmas” show… a joyful mix of Christmas tunes, jazz standards, and original music that busts out of the nutcracker and King Wenceslas mold.
Ben Jaffe is creative director and sousaphone player for the band and joined us from the road.
Whether scoping out plasma-screen HDTV’s, or picking up a PlayStation 4, consumers upgrading their entertainment systems this Christmas are generally looking for products promising a better picture, superior sound, or next-generation graphics. We’ve come a very long way since the VHS and Atari 2600. So far, in fact, that one may wonder how much better the visuals, sound and graphics on entertainment systems can get – and would the casual user even be able to tell the difference?
Joining the conversation about where entertainment technology can go from here is Jamin Warren – founder and editor-in-chief at Killscreen, a videogame arts and culture magazine, Slate music columnist Carl Wilson, and, David Ewalt, contributing editor at Forbes.
The relatively unknown song "Daylight" by Brooklyn-based band Matt and Kim was featured in a 2009 Bacardi commercial, and by the following year went gold, selling over 500 thousand copies and sweeping Matt and Kim into the mainstream. Not so long ago, selling your music to ad agencies was considered the lowest form of selling out, a sure-fire way to lose hard-core fans. Today many musicians see it as the only way to make a living. And fans, for the most part, seem to be turning a blind eye.
Not sure how you're going to muster the energy to rake another pile of leaves this weekend? Let us make the chore a little easier by distracting you with a solid hour of public radio encouragement. The Word of Mouth Saturday show is carefully designed to take you on a sound odyssey that's perfect even if you decide to forgo the leaf raking for another day.
On this week's show:
Please don't send shoes: Jessica Alexander makes the case for sending money instead of food or clothing when disaster strikes.
Talking about death: It's not an easy subject, but a new Showtime series, "Time of Death" approaches the taboo with unflinching realism. Jaweed Kaleem from the Huffington Post, and Miggi Hood, co-executive producer of the series join us to talk about death.
The Warren Commission 50 years later. Justice Richard Mosk was a 23-year-old attorney when he became the youngest member of the commission established by President Johnson to investigate the murder of JFK and his assassin. He tells us about the commission and why conspiracy theories can be harmful.
Two decades have passed since Swedish quartet Ace of Base picked up Abba's mantle. Their single, 'The Sign,' topped U.S. charts and cemented a permanent place on pop playlists for decades to come.
Ace of Base also ushered in the so-called 'Swedish Miracle,' an era between 1990 and 2003 when music royalties earned by Sweden from foreign markets were twice as much per capita as royalties paid to songwriters and performers in the U.S. Today, Sweden is the world’s number three music exporter.
Listening to Word of Mouth's Saturday broadcast is like sitting around a campfire and chatting with a bunch of super-smart, super-interesting people. So go sharpen a stick, grab your bag of marshmallows and pull up a log - here's what's coming up this hour:
The Science of Superstition: Psychologist Stuart Vyseexplains the collective power of the Red Sox beards.
MORE COWBELL!!! From Strauss to Def Leppard, writer Lori Rotenberk traces the musical history of the cowbell.
A Grimm Cinderella Story: Author Adam Gidwitz shares the original gruesome version of the classic fairy tale, and explains why Disney has done the Brothers Grimm a disservice.
#NoFilter: Brian Ries, social media guru for The Daily Beast, on how a growing number of private dealers are legally selling guns on Instagram.
WHEN JELLYFISH ATTACK! They're clogging nuclear reactors, capsizing ships, wiping out fish populations, and causing cerebral hemorrhages... So basically, jellyfish are scarier than sharks. There, I said it. Quartz reporter Gwynn Guilford explains.
One of comedian Will Ferrell’s most memorable Saturday Night Live characters was musician Gene Frenkle, the belly shirted cowbell player from the ‘70s rock band, Blue Ӧyster Cult. His cowbell playing was intoxicating and hilarious and prompted this now quotable line: "I got a fever, and the only prescription is more cowbell."
That line, delivered by Christopher Walken, catapulted onto t- shirts and bumper stickers, and helped put the instrument designed for agriculture into the mainstream musical spotlight. But where did cowbell come from? And how did it migrate from the farm to the recording studio? Chicago based journalist Lori Rotenberk wrote an article for Modern Farmer called “More Cowbell: From Herdsman’s Tool to Cultural Icon.”