Folklorist Alan Lomax spent his career documenting folk music traditions from around the world. Now thousands of the songs and interviews he recorded are available for free online, many for the first time. It's part of what Lomax envisioned for the collection — long before the age of the Internet.
Rapper Baloji was born in the Democratic Republic of Congo but raised in Belgium. He's built a reputation for incorporating Congolese music into his mix, though he mostly raps in French, his deep voice full of cocky brashness. You can catch his vibe without translation, but it's worth reading the liner notes to get his messages, as well. Baloji raps with brazen ease about the indignities of life as an African in Belgium, but also the tragic, bloody history of his homeland on his second album, Kinshasa Succursale.
Few 20th century thinkers predicted the 21st century era of social media and the Internet better than Marshall McLuhan. Beginning in the 1960s, the Toronto-based philosopher and scholar began to theorize about how television and radio were changing society, creating what he termed the "global village."
From its start in the late '90s, Zieti faced tough odds. Arranging gigs in Abidjan, Ivory Coast was a high-risk, do-it-yourself affair for the band. And that was before the country underwent a military coup, a rigged election and a brush with civil war. Zemelewa was recorded by 15 musicians in four studios on two continents. For all that, you can sense the band's solidarity, as if merely making this record was an act of resistance.
Four years since they first began making music together, the Brooklyn-based duo Tanlines is finally releasing an album: Mixed Emotions, out tomorrow. The band is Eric Emm, who sings and plays guitar, and Jesse Cohen, who plays drums, keyboards and an assortment of electronic instruments. Cohen is also the chattier of the two.
"We use a lot of different drum kits that are in a computer," Cohen explains. "We also play a lot of stuff live, and a lot of time you can't really tell which is real and which is fake. That's sort of a thing that we like to play with."
Bruce Springsteen and the retooled E Street Band ripped through a nearly three-hour "secret" concert at the Moody Theater, the new home of <em>Austin City Limits</em>, during SXSW. Ever the showman, Springsteen crowd-surfed.
The SXSW music convention takes over Austin, Texas, for five days each March. This year, NPR Music's Ann Powers is in Austin trying to catch as much of the action as she can. At South By Southwest's midpoint, Powers spoke to Morning Edition's Renee Montagne about the highlights so far (including that awesome Springsteen keynote, which you can listen to in its entirety), and what she's looking forward to seeing over the festival's second half.
Listen to music from jazz pianist and composer Vijay Iyer, and you'll hear rhythms that pulse and shift, intricate patterns of notes, a wide range of references. There are lots of examples on his trio's new album, Accelerando.
Iyer, the son of Indian immigrants, started on violin at age three. He later taught himself how to play the piano — learning through improvisation, something he never did on the violin.
Austin’s South by Southwest festival has turned over from movies and technology to music before drawing to a close this weekend. The annual event is a magnet for filmmakers, movie stars, internet execs, musical heavyweights, would-be rock stars and enough techies, coders and developers to give it the nickname of summer camp for geeks. Adam Jones is a kind of media-mashing guy himself.
More than a decade ago, an album came out recorded mostly on cassette in a house, never released on a major label — and until last month it had been out of print for almost that long. When Noel Gallagher of Oasis heard it, he declared it "amazing," and The Guardian called it "the best album The Beatles never recorded."