Performing Arts

Miranda July: The First Bad Man

Feb 19, 2015

Miranda July. Maybe you know her from her quirky and charming 2005 film “Me And You And Everyone We Know,” which won the special jury prize at Sundance – but since then she’s made a second film, a book of short stories, a messaging app, and has performed all over the world, and now she’s written a novel.

July’s debut novel The First Bad Man continues her skill at revealing uncomfortable moments and unexpected truths … in a very funny way.

Melanie Everard, was an opera-skeptic. “I was much more than a skeptic, I disliked opera intensely.” A surprising sentiment from a music teacher, and it made her an unlikely candidate to participate in an educator’s workshop conducted by the Metropolitan Opera. 

 

Courtesy of Andrew Pinard

Andrew Pinard’s website features video from the kinds of performances you might expect from a contemporary working magician: entertaining audiences at conventions, business meetings and a group of teens at a post-graduation party.

On Saturday, Andrew will take on another guise, and another century. He’ll be performing as the 19th century magician Jonathan Harrington at Canterbury Shaker Village, and he’s here to give us a preview, and a little bit of information on just who this Harrington is.

Aldo Tapia / Flickr

MoCo Arts wants to change people's lives through creative expression and exposure to the arts. One of its students, Peter Fedrizzi, started dancing when he was 13, after a friend suggested he might have a natural ability for it.

"We were lying around one afternoon and I was stretching my feet, and she looked at them and said, 'Peter, people will kill for your feet in dance. You should try ballet.'"

via hop.Dartmouth.edu

Edgar Oliver has a voice you’ll never forget: part Bela Lugosi, part Count Chocula. You may have heard him tell stories of growing up in Savannah in the 1960s, with a smothering, compulsive mother who shared her paranoid, terrified state with her children, Helen and Edgar. His tales of growing up are pulled together in  “Helen and Edgar”, a kind of a spoken memoir being performed at Dartmouth’s Warner Bentley Theater at 7:00pm tonight and Wednesday.

Aldo Tapia / Flickr

MoCo Arts wants to change people's lives through creative expression and exposure to the arts. One of its students, Peter Fedrizzi, started dancing when he was 13, after a friend suggested he might have a natural ability for it.

Sean Hurley

This weekend, the stage version of “To Kill a Mockingbird” premieres at the Rochester Opera House. Reporter Sean Hurley introduces some of the cast and crew members to us in an audio version of a playbill.  In this case, their stories go a little deeper than the blurb in an average program.

In 1981, playwright, performer and theater company director Carlyle Brown decided on a whim to take a trip to Africa. That launched a journey of self-discovery and an adventure that became the basis for a one-man show called “The Fula from America: An African Journey," which Brown performs tonight at The Music Hall in Portsmouth. It’s a fund-raising event for Portsmouth’s African Burying Ground, and will be followed by a candelight procession to the site where the design for a memorial will be unveiled.

For almost 20 years, the UniverSoul Circus has been pitching its tent in urban plazas across the country. The circus was founded by a Baltimore native as a showcase for black talent, one that he hoped would inspire black audiences.

In more recent times, the circus has evolved into an eclectic mix of acts from around the world. Now, it's pushing to diversify its audience, with a show called "Us."

Strength, Precision And Crowd-Pleasing Nerve

In the beginning, all of the talent was black. They came from Africa, the Caribbean and the U.S.