Fabulous photos?… There’s an app for that. In fact there are lots and lots and it seems like everybody’s got ‘em. Adam Bronkhorst has some tips to transform your tossed off smartphone snapshots into expressive, vibrant photos worthy of keeping, printing, and showing off. Adam Bronkhorst is a professional portrait photographer based in the UK.
In early May, Word of Mouth Brought you the story about Jake Jones and Andrew Kenney, two New York photographers who are traveling across the country by car. Fueled by their Kickstarter supporters, they are documenting their trip by sending postcards of their photography from each state to those who contributed funds. After receiving our first couple of postcards, Jake and Andrew stopped by our studio on their way through New Hampshire to give us an update on the status of their travels.
In December Fish and Game announced that for the first time they had captured photographs of Canadian Lynx alive in Northern New Hampshire. The photographer that snapped those pictures was an amateur biologist and student at UNH, named Peter Abdu.
Five years ago, the New York Times moved into a gleaming new office tower in mid-town Manhattan. The shimmering structure by Starchitect Renzo Piano was commended for being green and digital-ready. Half a block away, the paper’s archives could not be more dissimilar. The sub-sub-basement -- affectionately known as the Morgue -- is cramped with hundreds of cabinets, stuffed with twelve million clippings and more than six million photographs from the paper’s 160-year history.
Jake Jones and Andrew Kenney are New York photographers heading out for the open road in June. They’ll send an original, freshly photographed, newly minted postcard to anyone who helps fund their trip on Kickstarter. The cost: 2 dollars per postcard, per state.
A Civil War soldier poses for a photograph, in this image contributed to the Library of Congress by Tom Liljenquist and his family.
Credit Library of Congress
To determine the height of the unidentified Civil War soldier, an employee of The Horse Soldier store in Gettysburg, Pa., recreated the pose in the photo. He stood on a book to bring his height to an even 5 feet 8 inches.
Credit Ramona Martinez, NPR
The cover of the compiled military service record of Thomas A. Ardies, of the 14th Brooklyn regiment. The unit retained its name despite attempts to change it to the 84th New York.
A Washington, D.C.-area collector and his family have donated more than 1,000 Civil War photographs to the Library of Congress. But you won't find the men in these photos in history books — they're enlisted soldiers, and most of them are unidentified.
In one striking photo, the man depicted has crazy sideburns, a steady expression, and very clear eyes — maybe gray, or perhaps blue. He holds a rifled musket at his side. He is a Union soldier in the Civil War. And the only things we know about him are what we can learn from a single photo.
In our series, New Hampshire’s Immigration Story, we’ve talked about how immigrants and refugees have affected New Hampshire’s economy, health care system, law enforcement, schools, now we look at art. Last year photographer Mary Catherine Jones began an ongoing photo series called “New Faces New Hampshire” featuring portraits and images of refugees and immigrants in Manchester. She joined NHPR’s Brady Carlson to talk about her photo series.
Just when you thought you had the latest in camera technology, along comes something new and shiny and ... rectangular.
It's called the Lytro, and it uses something called "light field technology." In short: You shoot now and focus later.
NPR's resident photo expert, Keith Jenkins, explains: In a nutshell, he says, this camera captures not only the color and the intensity of light — which is what normal cameras do — but also the direction of that light — from every possible angle.
If you head to Yosemite National Park this time of year and stop by Horsetail Fall at just the right time, you might see something spectacular: As the sun sinks low in the sky, the waterfall glows with streaks of gold and yellow — and it looks just like molten lava.
Photographers like Michael Frye flock to the park every February to try to capture the phenomenon. Frye, author of The Photographer's Guide to Yosemite, describes the sight to NPR's Audie Cornish.
When Kodak filed for Chapter 11 last week, it appeared that digital photography had put the lens cap on old-school film for good. Maybe not. Consider Polaroid: after ceasing production of its iconic Instamatic film in 2009, a group of devoted shutterbugs launched the impossible project. They took control of the company’s manufacturing equipment, and in March of 2010 began selling film.