Lena Dunham's new series Girls debuts on HBO on April 15. Dunham, who got quite a bit of attention for being the star, director and writer of the 2010 indie film Tiny Furniture, fills the same three roles in this ensemble show about four young women in New York.
On Thursday night, ABC's Scandal will step out as a rarity on TV: a show developed by one of the most powerful black women in TV, Grey's Anatomy creator Shonda Rimes, depicting a powerful black woman in Washington, D.C.: Olivia Pope, a top-flight crisis manager.
She's a "fixer" so impressive, she can negotiate down payments with the Ukrainian mob in a burst of rapid-fire dialogue. She is played by Kerry Washington, whom you might recognize from wife and girlfriend roles in films like The Fantastic Four and Ray.
Former Child Star Fatigue. Many of us have suffered it, given the drug problems, the meltdowns, the awful nude photos.
But then there's Fred Savage, who starred in the ABC show The Wonder Years from 1988 through 1993. Now he's a successful, slightly offbeat 35-five-year-old television producer and director. He works on wicked, slightly warped comedies including Party Down, It's Always Sunny In Philadelphia and as of today, Best Friends Forever. His first network sitcom premieres tonight on NBC.
Rapid growth in the U.S. Hispanic community has created another boom — in Hispanic media. In recent months, several major media players have announced plans to join the competition for the Hispanic television audience. There's a new Hispanic broadcast TV network coming, plus a host of new cable channels aimed at Latinos.
The numbers tell the story: According to the census, the U.S. Hispanic population jumped by more than 40 percent in the past decade. The nation's 50 million-plus Hispanics now make up 16 percent of the TV-viewing public.
21 Jump Street sits atop the box office this week. It is a reboot of the late 1980's television hit about cops going undercover in high schools. Turns out there are real-life police officers on the high school hallway beat, and, as Slate reporter Will Oremusuncovered, there are specific strategies these fre
In the 1990’s, Brini Maxwell became a household name…at least in Manhattan, where the show dominated public access cable airwaves. The character was the alter ego of actor Ben Sander, a prototypical, pre-feminist, 1960’s homemaker…in drag. If Brini was emblematic of the gay counterculture media at the end of the twentieth century, 2003 brought a whole new brand of gay TV to the air…
It's not easy being one of the last soaps standing, as Neda Ulaby reports on today's Morning Edition. For fans, the shuttering of iconic shows like All My Children and Guiding Light has upended routines that, for some, date back to childhood. When I was in high school, my soap of choice was Days Of Our Lives, which Neda says has changed a lot since that era — well, it's changed and it hasn't.
Kristin Chenoweth talks to Jacki Lyden on today's Weekends on All Things Considered, and if the only thing you got from the interview was Chenoweth warbling a bit of the first solo she ever did in church, it would be well worth it.
The Emmy-winning actress stars on ABC's new GCB, a sort of Desperate-Housewives-ish dishy, soapy comedy-drama premiering Sunday night at 10. She's come quite a long way since, as she explains, her father negotiated her first contract.
On CBS' hit comedy 2 Broke Girls, he owns the diner in Brooklyn where the show's sassy heroines just happen to work. He's a walking bundle of stereotypes: Broken English. Socially awkward. Mostly asexual. His heavy accent is always good for a laugh or two.
Historian Simon Schama calls it another example of British television’s “cultural necrophilia”. Well then, bring out your dead…the Downton Abbey miniseries now airing Sunday nights on PBS has invigorated public television, revved up sales of cloche hats and maxi skirts, and has publishers scrambling to appeal to readers who devour period dramas.
Ever overhear a watercooler conversation about the latest episode of the latest TV show that everyone’s watching, except you? Well, fear not. As it turns out, even the most buzzed about television shows are not being watched by the masses at least not in real time. Audiences for premium cable programs like True Blood and Dexter draw only a couple million viewers when they hit the air compare that with the old network giants, like ER or Friends, which played to ten or fifteen million viewers each week.