Forty-eight years ago writer George Plimpton infiltrated pro-football when he joined the Detroit Lions as a backup quarterback. Plimpton chronicled the experience in his 1965 book Paper Lion. Writer Stefan Fatsis followed in Plimpton’s cleated footsteps when he wrangled his way into the Denver Bronco’s training camp as place kicker in 2008. I spoke with Stefan in 2010 about his short but entertaining tenure in the NFL and his book about the experience called A Few Seconds of Panic.
Stefan Fatsis is a sports writer, a frequent contributor on NPR’s all things considered and a panelist on Slate’s sports podcast, “Hang Up and Listen.”
Margaret Atwood’s novels are imaginative and satirical, and her post-apocalyptic predictions eerily accurate. Atwood has just finished her Maddaddam trilogy, set after a bio-engineered plague has wiped out a wantonly consumerist America governed by corporations.
Atwood talks about her latest novel, and then sits down for a conversation and questions from the audience for this edition of Writers On A New England Stage, a co-production of NHPR and The Music Hall in Portsmouth.
This year marks the 50th anniversary of poet Sylvia Plath’s death by suicide, the singular lens through which many readers and academics have viewed her life, writing, and marriage. Now, a new generation is re-discovering Plath from a fresh perspective, one not colored by her sad and macabre death.
Minimalist composer Philip Glass is widely acknowledged as one of the late 20th Century’s most influential music-makers. He’s worked with artists, musicians and filmmakers from David Bowie to Woody Allen, and famously collaborated with theater director Robert Wilson on the landmark opera “Einstein on the Beach” in 1976. Even after “Einstein,” Glass didn’t quit his day job as a New York cabby and some-time plumber…he was once called to install a dishwasher at the SoHo loft of a very shocked Robert Hughes, who was then the art critic for Time.