Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

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After a six-year hiatus, Canadian singer Feist is back. She's out with her fifth album. It's called "Pleasure," but that's a bit of a misdirection. Reviewer Tom Moon says the album explores the quest for inner-strength in the painful aftermath of romance.

Stephen Bruner is a bass player, singer and songwriter who's as well known for his own music as for his collaborations. But when he released his latest solo single as Thundercat few weeks ago, those who know his work with Kendrick Lamar were scratching their heads. Here was a fiery visionary collaborating with two icons of easygoing '70s pop: Kenny Loggins and Michael McDonald.

Over the years, music fans have slowly filled in details about a hard-working, mostly anonymous collective of Detroit studio musicians known as The Funk Brothers, who were the backing band for many of Motown's hit songs. Less documented is what these musicians did when they were not in the studio.

Every so often, you run across a collection that opens up an entirely new way to think about an artist. Jack White's new, 26-track retrospective, which focuses on his unplugged, less raucous songs, does just that. The unreleased songs, album tracks and B-sides that make up Jack White Acoustic Recordings, 1998-2016 offer a fresh window onto the work of the creative, prolific rock musician.

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Gregory Porter is a jazz singer who is pushing the boundaries of jazz singing. In the last few years, he's recorded with bluesman Buddy Guy, classic singer Renee Fleming and, most recently, with the U.K. electronic duo Disclosure.

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Son Little's music can be a little tricky to classify. One writer called him Sam Cook in outer space.

(SOUNDBITE OF SONG, "YOUR LOVE WILL BLOW ME AWAY")

SON LITTLE: (Singing) Runaway, this afghan kush we're bubbling won't burn away.

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This is what made Ludovic Navarre famous 15 years ago.

(SOUNDBITE OF SONG, "ROSE ROUGE")

MARLENA SHAW: (Singing) I want you to get together. I want you to get together.

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Craig Finn is part of a quickly growing demographic group - aging indie rockers. He led the band Lifter Puller in the '90s and is still the front man of The Hold Steady. His breathless songs look at the indie rock scene with a romantic eye.

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When he started the Robert Glasper Experiment, the pianist was trying to blend hip-hop, jazz and R-and-B into a new sound.

(SOUNDBITE OF SONG, "CHERISH THE DAY")

For some people, gospel music is all about the message — of faith and forbearance, sin and salvation. For the members of the mostly instrumental supergroup known as The Word, gospel is more about a feeling. The group's long-awaited second album, Soul Food, is a rousing, thoroughly modern take on gospel.

Dylan The Crooner

Feb 3, 2015

Bard. Voice of a generation. Bob Dylan has been called many things over the years. With his new album, Shadows in the Night, the 73-year-old aims for another title: crooner.

In the last 20 years, Prince has gotten more attention for his acrimonious spat with Warner Brothers — and the shenanigans surrounding his name — than for the music he's continued to make. And yet, as a performer, Prince is still undeniable, one of the living best.

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Melissa Aldana, who became the first female instrumentalist and first South American musician to win the Thelonious Monk International Jazz Saxophone Competition last fall, is not the average talent-contest winner.

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MELISSA BLOCK, BYLINE: A jazz singer for the hip-hop generation - that's how Jose James was described after he released his first album last year for the famed Blue Note record label. James has now released a follow-up. It's called, While You Were Sleeping. And reviewer Tom Moon says the 35-year-old shows phenomenal growth.

(SOUNDBITE OF SONG, "WHILE YOU WERE SLEEPING")

JOSE JAMES: (Singing) Shadows long upon my face. Shadows long upon my face.

TOM MOON, BYLINE: Catch up with Jose James now because he's a rarity - an artist evolving at warp speed.

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Damon Albarn's first solo album is out today. Albarn was the frontman of the acclaimed British rock band Blur in the '90s, and since 2000, he has spearheaded the multi-platinum group Gorillaz.

(SOUNDBITE OF SONG, "THE WINDMILL")

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Finally this hour, a new perspective on the enduring influence of The Beatles. It comes from another four-piece British rock band called Temples. The group is from the town of Kettering. Critics have been raving about them since last summer. Their debut album, "Sun Structures," has now been released here in the U.S. And hearing it might whisk you away to 1960s Liverpool. Here's our critic, Tom Moon.

TOM MOON, BYLINE: If nothing else, Temples has impeccable timing.

(SOUNDBITE OF SONG, "SHELTER SONG")

Guitarist Pat Metheny is revered for his bright, accessible modern jazz. Saxophonist and composer John Zorn is associated with much knottier, often dissonant experiments.

When singer Thom Yorke stepped away from his influential rock band Radiohead in 2006 to release The Eraser, many thought the quirky electronic project was a one-off. Not so, it turns out. Yorke and producer Nigel Godrich called on rock-star friends for a tour, and since then, the group has convened occasionally in the studio.

An expanded version of Fleetwood Mac's 1977 album Rumours comes out this week, to mark the 35th anniversary of one of the top-selling albums of the '70s. The deluxe set includes demos, outtakes from the recording sessions, live recordings and a documentary DVD, along with a vinyl pressing of the original album.

After a slew of multidisc sets devoted to key points in the career of Miles Davis, you'd think Columbia Records would have unearthed every speck of consequential music by now. But not quite.

This week, Columbia brings out Live in Europe 1969: The Bootleg Series Vol. 2 — a three-CD, one-DVD set devoted to the jazz maverick's "lost" quintet, his touring band from 1969.

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