Kristin Chenoweth talks to Jacki Lyden on today's Weekends on All Things Considered, and if the only thing you got from the interview was Chenoweth warbling a bit of the first solo she ever did in church, it would be well worth it.
The Emmy-winning actress stars on ABC's new GCB, a sort of Desperate-Housewives-ish dishy, soapy comedy-drama premiering Sunday night at 10. She's come quite a long way since, as she explains, her father negotiated her first contract.
On CBS' hit comedy 2 Broke Girls, he owns the diner in Brooklyn where the show's sassy heroines just happen to work. He's a walking bundle of stereotypes: Broken English. Socially awkward. Mostly asexual. His heavy accent is always good for a laugh or two.
Historian Simon Schama calls it another example of British television’s “cultural necrophilia”. Well then, bring out your dead…the Downton Abbey miniseries now airing Sunday nights on PBS has invigorated public television, revved up sales of cloche hats and maxi skirts, and has publishers scrambling to appeal to readers who devour period dramas.
Ever overhear a watercooler conversation about the latest episode of the latest TV show that everyone’s watching, except you? Well, fear not. As it turns out, even the most buzzed about television shows are not being watched by the masses at least not in real time. Audiences for premium cable programs like True Blood and Dexter draw only a couple million viewers when they hit the air compare that with the old network giants, like ER or Friends, which played to ten or fifteen million viewers each week.